Wallander Instrument’s NotePerformer offers one way, replacing Sibelius’s sounds with a complete library of its own as well as a sophisticated way of interpreting the score to offer realistic interpretations based solely on the notated music. For now, that responsibility has fallen upon third-parties to provide alternative approaches. Still, the raw materials are present for such capabilities to exist within Sibelius, if only a suitable approach could be made. With Dorico, Steinberg has taken up the cause of sequencer-like features in notation software with gusto. In Sibelius, certain such information must be entered as a series of hidden text while other data must be controlled in the Inspector in the form of numeric values.Īlthough Sibelius has been a part of Avid since 2006, the anticipated tighter synergy with Pro Tools has never materialized, and today the products still occupy very different spheres in the world of professional music. The impediment to using these tools has been the lack of a user-friendly interface to manipulate the data. In fact, these tools have existed for a long time in the market-leading programs Finale and Sibelius, and are found in other notation programs as well. Further tools found in any sequencer include shortening or lengthening the duration of notes independent of their notated values as well as overriding the note velocities that may be tied to the notated expression.

These tools most notably included ways to set and automate MIDI control change data such as volume, expression, modulation, panning, pitch bend, and sustain.

In the several decades since music notation software was first invented, users have yearned for a professional-level notation program that included the tools found in a graphically-oriented sequencer.

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